片名：不安
关键词：不安免费在线观看
电影类别:剧情片
发行年份：1954
首映地区：其它
导演：罗伯托·罗西里尼
演员：英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
更新时间：2024-04-22 02:00
《不安》讲述的是什么故事？
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
导演：罗伯托·罗西里尼谈主演监制《不安》，他对这部电影最大的感触是什么？
罗伯托·罗西里尼不仅是《不安》的出品人，而且还是《不安》的总编制，甚至是这部《不安》的主演，《不安》这是一部充满着诚意的影视作品，将会在1954全国公映。在《不安》的首映礼上，虽然罗伯托·罗西里尼已经来到了内地，但因为疫情防控的原因，罗伯托·罗西里尼英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特只能够通过视频连线的方式，与现场的观众进行交流，罗伯托·罗西里尼英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特对这部电影进行了介绍，同时表示这部电影就像是自己的孩子出生一样，自己感觉到十分开心，而且感觉到十分紧张。
年度评分第一剧情片《不安》，主要讲述的是什么故事？
从目前的口碑和评分来看，《不安》都一定是今年最佳的剧情片电影，同时也是今年唯一一部入选了柏林电影节的作品。《不安》讲述的就是农村底层人物之间的苦难生活和美好爱情，但是一切的喜悦和美好都是建立在苦难之上的，所以大家去看这部剧情片电影的时候，会觉得心中非常煎熬，如果对我国最底层的人民的生活不够了解的，在这部剧情片电影中是一定能够找到答案的。
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